When Can I See My Book Cover?
A question I get from nearly every writer early in the process of publishing a book, sometimes before the manuscript is even edited: When will I see the book cover?
(The Subversive Copy Editor)
(The Subversive Copy Editor)
A question I get from nearly every writer early in the process of publishing a book, sometimes before the manuscript is even edited: When will I see the book cover?
If after reading Parts 1 and 2 of this series you’ve decided that a computer isn’t competent to index your book and that hiring a professional isn’t an option, and if you’ve never written an index before, you might appreciate some advice.
Last week when I listed various reasons why you should not allow a computer to write the index for your monograph, I failed to mention one: That is, you might want to do it yourself because it’s potentially a lot of…
In short, no. Back-of-the-book indexing is much misunderstood, which I know from having to argue at cocktail parties that it cannot be done adequately, let alone well, by a computer. (Yes, unfortunately, that’s what passes for cocktail-party banter in my neighborhood.)
When I hang out with writers or editors, conversation inevitably touches on working with music in the background. There are always listeners and nonlisteners, but the most passionate are those who never work while listening. I think I understand—
In book publishing, each project begins with a financial projection that takes into account everything that affects costs and revenues: the number of words and illustrations in the manuscript, author royalties, subventions from financing bodies, printing costs, estimated sales, and…
The other day, my colleague Ben Yagoda wrote about “elegant variation”—that is, the way writers sometimes strain to avoid the repeated use of a mundane word. He had fun with the colorful terms invented by sports writers in particular. It’s…
Grab the nearest monograph from your shelf and turn the first pages: half-title page, series page, title page, copyright page, dedication, table of contents . . . then what? Almost certainly not chapter 1.
Difficult writers and difficult people tend to share some characteristics; you might already know whether you are one or not. If you feel that being difficult is something you do well and rather enjoy, then carry on. Otherwise, let me offer a bit of self-examination and amateur therapy.
There was online chatter recently when the Modern Language Association posted its style for citing a tweet. This didn’t surprise me. What surprised me was the amount of backlash from commenters who are still shocked at the idea of Twitter as a legitimate source of information for scholars.